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・ Johann Baptist Ruel
・ Johann Baptist Schenk
・ Johann Baptist Singenberger
・ Johann Baptist Straub
・ Johann Baptist Strauss
・ Johann Baptist Streicher
・ Johann Baptist von Anzer
・ Johann Baptist von Hirscher
・ Johann Baptist von Keller
・ Johann Baptist von Lampi the Elder
・ Johann Baptist von Lampi the Younger
・ Johann Baptist von Spix
・ Johann Baptist Wanhal
・ Johann Baptist Weder
・ Johann Baptist Weiss
Johann Baptist Wendling
・ Johann Baptist Zimmermann
・ Johann Baptist Ziz
・ Johann Baptist Zwecker
・ Johann Baptista Baltzer
・ Johann Baptista Ruffini
・ Johann Baptiste Bouttats
・ Johann Baptiste Horvath
・ Johann Baring (1697–1748)
・ Johann Bartsch
・ Johann Bauer
・ Johann Bauer (soldier)
・ Johann Bauersachs
・ Johann Bauhin
・ Johann Baur


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Johann Baptist Wendling : ウィキペディア英語版
Johann Baptist Wendling

Johann Baptist Wendling (baptised 17 June 1723 – 27 November 1797) was a flute player and composer of the Mannheim School. He held the position of principal flute in the Mannheim and Munich court orchestras under directors Johann Stamitz and Christian Cannabich, and was acknowledged as one of the finest virtuosos of his time.
== Biography ==

Wendling was born in Ribeauvillé (Rappoltsweiler), Alsace. He was employed at the court of Deux-Ponts (Zweibrücken) from 1745 and joined the Mannheim court orchestra in 1752 as principal flautist.〔Lipowsky, p. 387.〕〔Anspacher, p. 33.〕 He married the soprano Dorothea Wendling née Spurni in Mannheim on 9 January 1752. Wendling went on many successful concert tours throughout Europe,〔Lipowsky, p. 387.〕 including several times to Paris where he performed at the Concert Spirituel.〔''Mercure de France'' (Paris), 1751–1780.〕 In 1778 he relocated to Munich with the court orchestra and continued to perform. He died in Munich.〔Wendling's death "aged 74" on 27 November 1797 is recorded in the register of the Catholic church of Our Lady (Frauenkirche) in Munich.〕
Wendling was renowned for his virtuosity and for his expressive playing, and his influence as a performer can be found in the compositions of all the important composers of the Mannheim school, including Johann Stamitz, Ignaz Holzbauer, Christian Cannabich, Anton Fils, and Ignaz Fränzl. He had significant personal and musical contact with Johann Christian Bach and Wolfgang Amadeus Mozart and influenced their conception of the capabilities of the flute.〔Clive, pp. 176–177.〕〔Gärtner, pp. 269–272.〕 In 1778 Mozart wrote the solo flute part of his Sinfonia concertante (K.Anh.9/297b, lost) for Wendling,〔Eisen and Keefe, p. 221.〕 which is believed by some to be related to the Sinfonia Concertante for Four Winds (K.Anh.C14.01). In 1781 Wendling took part in the premiere of Mozart's opera ''Idomeneo'' in Munich, with his wife Dorothea performing the part of Ilia and his brother's wife Elisabeth the part of Elettra. Ilia's second aria contains a four-part obbligato for flute, oboe, bassoon and horn, composed by Mozart for Wendling and his colleagues.〔Eisen and Keefe, p. 221.〕
Wendling was also active as a flute teacher, not only of noble amateurs but also of the next generation of professionals. His most notable pupils were Duke Christian IV of Deux-Ponts, Elector Carl Theodor of Mannheim, the Duke of Guines, Johann Baptist Becke, Johann Georg Metzger, Johann Nikolaus Heroux and Jakob Heinrich Appold.

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